|
“Gary Hassay: Self-Taught Overtone Singer,”
CD liner notes, 2007
“Shelley Hirsch”, program for Subtropics Festival in Miami,
2003
“The American Composer’s Place in the New Grove II,” for
NewMusicBox, online journal, American Music Center,
Dec. 2002
“Report from the 8th World Harp Congress in Geneva,”
World Harp Congress Journal, Fall 2002
“Profile: Nikola Lutz,” Journal of the International Alliance for
Women in Music, Vol. 8, Nos. 1/2, 2002
“Reflections of Surrealism in Postmodern Musics,” essay in Postmodern Music / Postmodern Thought, edited by Judy
Lochhead and Joseph Auner, published by Routledge,
2002
“ ‘Je crois entendre encore,’ by Georges Bizet: An Analysis of
the Original Aria and the Arrangement for Grover
Washington, Jr.,” International Jazz Archives, Vol.2
No.2. 1999.
“Report from the 7th World Harp Congress in Prague,”
World Harp Congress Journal, Fall 1999
“Croak! The Mystery of Vanishing Frogs,” Opera for Youth
Journal, 1996
“Artist’s Forum,” Yaddo News, 1996
“The ISCM World Music Days in Budapest,” Arts International, 1986
“Darmstadt 1980,” co-authored with Denys Bouliane:
Perspectives of New Music 19, nos. 1-2 (Fall-Winter
1980/Spring-Summer 1981)
Ammer, Christine, ed. Unsung: A History of Women in American Music, 2d ed.Amadeus Press, 2000.
Anderson, E. Ruth. Contemporary American Composers :
A Biographical Dictionary, 2d ed. Boston: G.K. Hall, 1982.
Borger, Irene. The Force of Curiosity. California Institute of the
Arts / The
Alpert Foundation, 1999.
Brennan, Gerald. "Pataphysical graffiti," in Mojo, July 2001.
Burns, Dr. Kristine, ed. Women and Music in America Since
1900. The Oryx
Press, 2000.
Cohen, Aaron I. International Encyclopedia of Women
Composers, 2d ed. New
York: Books & Music, 1987.
Cook, Richard, and Brian Morton. The Penguin Guide to Jazz
on CD, LP, and Cassette. London, New York : Penguin Books, 1992.
Cseres, Jozef. "Smeruje sucasna opera k mytu?" (translation:
“Does Contemporary Opera Tend Towards Myth?") in 314
revue, Jan. 2001.
Cseres, Jozef. "Orfeus verzus Eurydika?" in Forum
obcianskef spolocnosti, May
2001.
Cseres, Jozef. Asztro, geo-, eko-, bio-, ciber- és Al-zene” in
Zenei szimulákrumok. Magyar Muhely Kiadó, 2005.
Cummings, David M., ed. International Who’s Who in Music
and Musicians’ Directory (in Classical and Light Classical
Fields), 14th ed. Cambridge,
England: International Who’s Who in Music, 1994.
Edwards, J. Michele. Paper presentation on the work of Anne
LeBaron, CMS
Women and Music Technology Workshop in Atlanta, March 2000.
Gagne, Cole. Soundpieces 2: Interviews with American
Composers. Metuchen, NJ: Scarecrow Press, 1993.
Gower, Jeff. "Electric Guitar in Classical Settings" in Les échos
de l'imep (Publication trimestrielle d'information musicale)
- Number 36, October
1996.
International Who’s Who of Professional & Business Women,
American
Biographical Institute, 2000.
Lochhead, Judy. “Composer Portrait: Anne LeBaron,” Journal
of the International Alliance for Women in Music,
Vol. 9, 2003.
Lochhead, Judy. “Music as Place: Anne LeBaron’s Southern
Ephemera.” Paper
presented at AMS / SMT Conference,
Seattle, 2004.
Looseleaf, Victoria. “Composer Tunes Into Aural Universe,”
Los Angeles Times,
Oct. 23, 2002.
May, Thomas. “Listening to the Silence of Frogs: Anne
LeBaron’s Fable for Our
Time,” The Washington Post,
Apr.6, 1997.
Morton, Brian, & Pamela Collins, eds. Contemporary Composers.
Chicago: St.
James Press, 1992.
Peabody, Richard, Lucinda Ebersole and Maja Prausnitz, eds.
Gargoyle #41.
Paycock Press, 1998.
Pendle, Karin. Women and Music: a History. Indiana University Press, 1991.
Pisaro, Kathryn G. “Bringing It All Together: Anne LeBaron’s
Artistic
Engagement with a Mississippi Community,”
Musicworks, #84, Fall 2002.
Rodda, Dr. Richard E. Classical Notes CD-ROM: “A collection
of nearly 2,000
program notes on orchestral pieces by
the world's greatest composers (nearly 500) past and
present.”
Sadie, Julie Anne and Rhian Samuel, eds. The Norton/Grove
Dictionary of Women Composers, 1st American ed.
New York: W.W. Norton, 1994.
Sadie, Stanley, ed. New Grove Dictionary of Women
Composers. Washington,
D.C. : Grove's Dictionaries of
Music, 2000.
Shoemaker, Bill. “Anne LeBaron’s Career is on the ‘Line,’”
The Washington Post, Oct. 24, 1993.
Suleimenov, Beysenbai. Feature article, “The Silent Steppe
Cantata,” in Literature Newspaper, Kazakhstan,
Oct. 30 – Nov. 6, 2008.
Turnbull, Helen, ed. International Who’s Who in Music and
Musicians’ Directory, 17th Edition. Cambridge: International
Biographical Centre (2000).
Zaimont, Judith Lang, ed. Women Composers of Electronic
music in the United States, Vol. I. Westport, CT :
Greenwood Press, 1984.
Zaimont, Judith Lang, and Karen Famera, eds. Contemporary
Concert Music by Women: A Directory of the Composers
and Their Works. Westport, CT:
Greenwood Press, 1982.
|
