Performance

There is, in LeBaron's music, a leaving the body and a celebration of the body, meditations on death and breath.

“Anne LeBaron is a composer as transformer. She transforms instruments, such as putting objects on the strings of the harp to tease out hidden sounds. She transforms cultural contexts, be they Kazakh, Bach, or Katrina.

"She deals with what we know, with issues of our time and place. But her knack is for alternative realities, showing us the here and now from a point just slightly off the beaten track.

"There is, in LeBaron's music, a leaving the body and a celebration of the body, meditations on death and breath. Laura Huxley's aria was followed by a bassoon duet that, with the added benefit of electronics, mimicked the sounds of frogs and hysterical monkeys. It was amazing.”

LA Times, Apr. 15, 2014

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LeBaron is a true “stratigrapher” in her layering of material, where new vistas seem to unfold endlessly behind others.

“The artist inhabits her massive instrument as if it were a continent; she fords its rivers of strings and discovers new worlds in the crevices of tonality… nervous and hoarse and brilliant. LeBaron is a true “stratigrapher” in her layering of material, where new vistas seem to unfold endlessly behind others.”

The New York City Jazz Record, 2011

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