Her fluidity with musical style and with musical character is the real wetness of "Wet."

“LeBaron's writing for the instrumental ensemble is full of invention, sometimes avant-garde and sometimes not. Cultures never collide, but many coexist. Her fluidity with musical style and with musical character is the real wetness of "Wet." The instruments offer watery unpredictability and readily take the shape of any container (or musical form).”

     LA Times, 2005